It was a life time dream to work on an Olympic Games and this job opened up doors to some of the most interesting opportunities. In this hybrid role of creative and production, I was given a blank slate to which create and produce Disney-like entertainment that would shape guests over all Olympic experience. One being producing a twice daily parade utilizing the Opening Ceremony puppets created by Michael Curry. Another, auditioning hundreds of local talent and curating 17-days of programming on three stages at two venues; Salt Lake Olympic Square and Park City Main street. The list goes on and this one may take more than two cups of coffee to describe.
